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Aesthethika (Ciudad Autón. B. Aires) ; 19(2): 57-61, sept. 2023.
Article in Spanish | LILACS | ID: biblio-1523804

ABSTRACT

La fantasía que impera en este film plantea la ilusión de encontrar un ser complementario que se adapte a nuestras preferencias y nos haga plenos. "Mi algoritmo está diseñado para hacerte feliz" dice el humanoide. Ilusión de que alguien tendría la posibilidad de ser complementario, de saber exactamente lo que el otro requiere. Estamos en las antípodas de la famosa fórmula de Lacan:" (Le Séminaire, Encore, 1975) "No hay relación sexual" (o sea, no hay complementariedad). No habría resto, el sujeto no estaría atravesado por la castración simbólica. La IA compite con Zeus. La fantasía del Uno, organismo previo a la separación del andrógino por parte de Zeus, se podría materializar con la IA


The fantasy that prevails in this film, raises the illusion of finding a complementary being that adapts to our preferences and makes us full. "My algorithm is designed to make you happy," says the humanoid. Illusion that someone would have the possibility of being complementary, of knowing exactly what the other requires. We are at the antipodes of Lacan's famous formula: "(Le Séminaire, Encore, 1975) "There is no sexual intercourse" (that is, there is no complementarity). There would be no rest, the subject would not be pierced by symbolic castration. AI competes with Zeus. The fantasy of the One, an organism prior to the separation of the androgynous by Zeus, could materialize with AI.


Subject(s)
Humans , Artificial Intelligence , Sentiment Analysis , Algorithms , Motion Pictures
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